Date of Award
Spring 2012
Degree Name
Bachelor of Arts
Major
Theater and Dance
First Advisor
Mitchell Polin
Second Advisor
Katharine Power
Abstract
A historical analysis of the playwright’s theatrical spaces including the concept of temporality, which is central to the subsequent elements within the physical, metaphysical and sonic landscapes. The choice to focus on the philosophy of phenomenology centers on the notion that these short dramatic works present the theatrical landscape as the conscious character perceives it to be. The perceptual experience is explained by Maurice Merleau-Ponty as the relationship between the body and the world and the way as to which the self-limited interior space of the mind interacts with the limitless exterior space that surrounds it.
Recommended Citation
Incampo, Theresa A., "The Evocation of the Physical, Metaphysical, and Sonic Landscapes in Samuel Beckett's Short Dramatic Works". Senior Theses, Trinity College, Hartford, CT 2012.
Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/209
Included in
Dramatic Literature, Criticism and Theory Commons, Performance Studies Commons, Theatre History Commons
Comments
Senior thesis completed at Trinity College for the degree of Bachelor of Arts in Theater and Dance.